On NOW - Sale Ends Friday May 25th

May 20, 2018

Until Friday, May 25th, save $80 when you purchase our LOOKLABS SUPER BUNDLE containing SpeedLooks Complete and DFS Complete. Both products were designed by industry professionals for cinematographers, editors and colorists to achieve the character and beauty of 35mm film, all with the click of a button.

SpeedLooks works with all DSLR, Mirrorless and digital cinema cameras, as well as editing and color grading programs. SpeedLooks Complete includes our 6 main categories and all variants; Clean, Big, Blue, Gold, Matrix and Artistic. In total you get 69 variants for one low price. VIEW OUR PRODUCT REEL

DFS LUTs accurately map the beautiful colors of the most popular film stocks for all digital cameras. DFS comes in both Linear (REC 709) and LOG formats. All LookLabs camera patches are included to perfectly match your LOG footage. The DFS bundle includes 19 LUTs that perfectly emulate the most popular Kodak and Fuji film stocks. VIEW OUR PRODUCT REEL

To purchase the LOOKLABS SUPER BUNDLE, click here for the WIN/MAC version or here for the AUTODESK version after which, you'll be taken directly to your shopping cart for checkout.



From the LookLabs Vault - SL3500 Fuji Clean

May 20, 2018

We often hear from our users that using SpeedLooks just makes their videos look some much better with just a simple click. Truth be told…they do. Especially when using our Fuji SpeedLooks in our Clean collection. As with all our looks, skin tone is the most important aspect for a great looking color finish. Check out this clip and see how SL 3500 Fuji NDR (No Dynamic Range) creates smooth and even skin tones with the true look of film - thanks to our friends at dissolve.com for providing us with stock footage from their collection of over 500,000 clips.


Visit looklabs.net to learn more about SpeedLooks and the professional color finish you can achieve. DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button.


New Product Release - Tangent Wave 2

May 17, 2018

After a long time in development, Tangent have revealed their all-new control surface for all kinds of color grading apps: The Tangent Wave2. If you have really deep pockets, the new Arc control surface might be worth a closer look, too. The Tangent Wave2 is a direct successor of the almost 10-year old Wave control surface. At NAB 2017 Tangent had a prototype on display but now the Wave2 seems to be ready.

If you compare the original Wave to the new Tangent Wave2 control surface, you’ll immediately feel familiar. The Wave2 features some major improvements, though! First of all, it’s way smaller than the original Wave. And, even more importantly, the pickups of the tracker-balls are now optical ones. The original Wave panel had mechanical pickups which offered less resolution and were more susceptible to dust.

To read the full Cinema 5D article by Olaf von Voss, click here and enjoy the read - well worth your time: https://www.cinema5d.com/tangent-wave2-control-sur...

DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button. Find out more at looklabs.net/


SpeedLooks from Color by LookLabs: Explained

May 14, 2018

Personality, character, feel, beauty … all words we use to describe the unique look of film. LookLabs color correction technology, SpeedLooks, revolutionized the industry by bringing the unique look of film to digital projects. We are the industry leader. That’s why the world’s two largest non-linear editing companies, Adobe Premiere and Avid, both carry our suite of products opening up the world of color correction to editors everywhere.

There are two common color spaces for recording video. Rec. 709 and LOG. Log allows for maximum color manipulation in post-production. But logs vary from camera to camera. No two are the same. That’s were LookLabs color science comes in. Our software is designed specifically for each camera we test. We create a unique camera patch LUT for every camera. Once that camera patch LUT is applied in a grading application or non-linear editor, the camera’s original log image is transformed into what we call VS-log or, Virtual Speed LOG. If you are recording in REC. 709 we have you covered with our Universal camera patch.It translates REC. 709 to VS LOG.

LookLabs has revolutionized the production world for directors, DPs, colorists and editors. Now virtually any combination of cameras can be used in production and our camera patches will create one consistent look. Fine color correcting can still be done even with the camera patch applied. This is where SpeedLooks come into play. Once the camera patch is applied, leveling out the image in VS-Log, an overall SpeedLook can be layered onto your footage. Those looks that instantly tell the audience they are watching an epic drama or science-fiction film.

All of our SpeedLooks emulate the look and feel of 35 mm film. Everything from film Noir to a big blockbuster look is available. And every look creates beautiful and even skin tones. Flawless faces especially close up. SpeedLooks can even be applied in the field so you know what your going to look like even before making the first edit.

You can purchase our SpeedLooks Complete Bundle for $89 USD or, combine it with our DFS Bundle (Digital Film Stock) which sells for $119 USD and get an even better deal for $159 for both? With SpeedLooks and camera patches, LookLabs offers total workflow solutions. The digital production playing field has been leveled. Visit looklabs.net/ to learn more about SpeedLooks and how you can easily achieve a great color finish on your next project.


From the LookLabs Vault - SL3500 Kodak C

May 11, 2018

SpeedLooks color grading bundles work with all types of native camera footage. Our friends over at dissolve.com provided us with stock footage from their collection of over 500,000 clips. We chose some clips, created a sequence and then applied SpeedLooks to them. The results are impressive, the footage responded easily to SpeedLooks and in no time at all, we had a beautiful looking sequence of shots color graded to look cinematic and stunning. By using SpeedLooks Clean KODAK, this mini video takes on a nice, clean, professional look and feel.

This piece features a fit man going for a morning run and was shot at a higher frame rate to give it a nice slow motion effect. While some of the shots were a little under exposed, SpeedLooks had no problem normalizing the exposure while keeping image noise to a minimum.


DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button. Find out more at looklabs.net/

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