Tutorials

View our publicly available tutorials

Speedlooks in Premiere 2015
In this tutorial Jeff show you how to use SpeedLooks Studio LOG in adobe creative cloud 2015 Premiere. One of the Adobe newest features is the integration of Speedgrade's Lumetri Deep Color Engine directly into Premiere Pro, thus making Premiere one of the most powerful NLE's on the market in regards to color correction. Knowing that our users like to streamline their workflow as much as possible, Adobe has integrated our SpeedLooks directly into Premieres Lumetri effect. Jeff goes over the basics of using Speedlooks with the Lumetri effect in this comprehensive tutorial.
Using Speedlooks in AVID
In this tutorial, LookLabs colorist Jeff August shows you how to use SpeedLooks for color grading in AVID Media Composer. He will demonstrate easy to follow workflows for both Studio Linear and Studio LOG and have you grading like a pro in minutes.
Studio Linear Tutorial
In this Tutorial for SpeedLooks Studio Linear, colorist Jeff August covers how to import and load SpeedLooks V4 for color grading in Adobe Premiere, SpeedGrade, Resolve, and Final Cut X. Increase color grading productivity by using the SpeedLooks workflow outlined in our tutorials.

Within Premiere you can use SpeedLooks on their own or in a Lumetri effect. Jeff also shows how to send footage from Premiere to SpeedGrade and back with the direct link feature. SpeedLooks can now be previewed in SpeedGrade by hovering over them.
Studio LOG in Grading Applications
Focusing on color grading applications SpeedGrade and Davinci's Resolve, this tutorial with LookLabs lead colorist Jeff August covers how to find, load and apply SpeedLooks V4 and camera patches.

Included in the tutorial are directory paths for PC and Mac. Jeff shows how to use the pre-sets as well as how to find and load SpeedLooks manually.
Studio LOG in Non Linear Editing Programs
This tutorial with LookLabs lead colorist Jeff August covers how to get beautiful filmic images when using non-linear editing programs, Premiere or Final Cut X. First, how to apply a camera patch, then by converting your footage from Rec. 709 to LOG and applying SpeedLooks.

In Premiere, you can use SpeedLooks either on their own or by using a Lumetri effect. SpeedLooks Studio LOG includes our camera patches and all looks from previous SpeedLooks releases as well as all our new ones.
Using Adobe CC Direct Link
LookLabs lead colorist Jeff August takes you through Adobe CC Direct Link. Showing the easy steps of taking a project from Premiere, applying SpeedLooks in Speedgrade, then taking it back to Premiere. As a bonus this tutorial includes completed "California Sunrise" music video by Candice Ryan.
Using Speedlooks in Adobe CC
Jeff August, Lead Colorist at LookLabs, explains how to access both your purchased and on-board SpeedLooks within the new Adobe SpeedGrade CC.
Applying Camera Patches in Resolve
In this tutorial, Jeff August, Lead Colorist at LookLabs, explains how to use our camera patch technology in Resolve 9
Applying Camera Patches in SpeedGrade
In this tutorial, Jeff August, Lead Colorist at LookLabs explains how to use our camera patches in SpeedGrade.
SpeedLooks and the Resolve Workflow
In our latest tutorial, Jeff August, Lead Colorist at LookLabs, explains how to apply SpeedLooks within DaVinci's Resolve 9.
Applying and Working with SpeedLooks
Jeff shows you how to apply and work with SpeedLooks. He demonstrates all the steps to get you started on color grading your next project with SpeedLooks.
SpeedLooks and RED Workflow
In our latest tutorial, Jeff August, Lead Colorist at LookLabs, provides direction on using the SpeedGrade workflow and applying our SpeedLooks to footage shot on the RED camera.
Speedgrade Timeline Setup
In our next tutorial, Jeff gives you simple instructions to set up your timeline for color correction in SpeedGrade. He shows you how to create layers, step through your timeline scene by scene and most importantly, ready your timeline to apply SpeedLooks.
Speedgrade Cheat Sheet
In our first tutorial, Jeff will provide you with a valuable cheat sheet for working with SpeedGrade. He explains how to build efficient file structure and works through basic project management. You'll learn the process to load footage from different sources through to a completed timeline set-up in the new SpeedGrade interface. Lots to learn, but Jeff makes it easy!

Customer Feedback

"I just wanted to thank you guys for answering all the questions I've had in the past and making such awesome luts!! Your luts have helpedtransform my videos into professional looking films. I'm having a blast mixing and matching different luts to get different looks. You guys rock!! Keep up the good work and know u have a customer for life. --Robert"
"OK, SO YOU MADE MY DAY! Your LUTs are incredible, awesome, I'm extremely happy! They work straight away and give the taste of film. I most like the CLEAN for DITing because it gives you an instantly great starting point with the look of analog film. The skin tones are very natural. Sitting with the DoP in our suite and looking it on a 5 meter screen with our Christie 2k projector… can't get enough of it…." --Rainer Fritz, DIT, K-Effects
"The tutorials were really helpful, I bought the 4 pack of Grades for Resolve. Totally incredible how the LookLabs LUTs alter the image and add the grain. It gives it a huge high end look like you have been to the best Grading suite." --Leo Baker