Digital Film Stock (DFS) from LookLabs: Explained

Jun 24, 2021

Personality, character, feel, beauty … all words we use to describe the unique look of film. LookLabs' color correction technology, first with SpeedLooks and now with DFS, has revolutionized the industry by bringing the unique look of film to digital projects.

DFS (Digital Film Stock) LUTs from Color by LookLabs are a result of three years of research and development, they accurately map the beautiful colors of the most popular film stocks for all digital cameras. DFS comes in both Linear (REC 709) and LOG formats. You even have the flexibility of using them on-set to pre-visualize your intended look. All LookLabs camera patches are included to perfectly match your LOG footage. The DFS bundle includes 19 LUTs that perfectly emulate the most popular Kodak and Fuji film stocks. DFS comes in both REC.709 and LOG video formats and all SpeedLooks camera patches work with today's most popular digital cinema and mirror-less cameras.

You can purchase the DFS Complete Bundle for just $119 or buy DFS and SpeedLooks in a Super Bundle for $159. With your DFS purchase, you will receive the following film stocks:

KODAK 5201, 5205, 5212, 5217, 5218, 5219, 5222, 5229, 5231, 5245M, 5299 and SFX 200T

FUJI ETERNA 250D, 250T, 400T, 500T, REALA 500D, F-125 and F-64D

DFS, SpeedLooks and our camera patches offer a total workflow solution for your color correction needs. To learn more about DFS and how you can make your digital projects look more filmic, watch our "DFS Explained" video.


DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.

Closing The Gap Between Editing and Color Grading

Jun 21, 2021

In this SpeedLooks conversation, the LookLabs team talks about how SpeedLooks can help close the gap between color grading and editing. Editors performing color correction or color grading is very commonplace in production houses and certainly with freelance editors. A team member with the capability to do both makes him or her a very valuable resource in the post-production process.


Visit looklabs.net to learn more about SpeedLooks and the professional color finish you can achieve. DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button.

How Can Color Tell A Story?

Jun 19, 2021

When starting out on your short or feature film project there are obviously many early decisions to be made. You’re thinking about your story. You’re thinking about your script. The budget, locations, and actors. You start working on your storyboards, planning your shot lists, and begin an overall discussion of your compositional strategies. Another facet of your production that needs to be considered before the first frame is shot — your project’s color scheme.

Color in film making is a huge part of the overall effect of everything we see in the frame. When you think back to some of your favorite films, you’ll likely notice that color plays a huge part in your cinematic memories.

Check out the complete article from The International News here: https://www.thenews.com.pk/magazine/us/844092-colo...

DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.



Creating Better Contrast - Part #3

Jun 10, 2021

Welcome to the final part of the Creating Better Contrast series. As we’ve discussed throughout this three-part series, contrast manipulation is the fundamental building block of color grading, and it underpins virtually everything we do. Now that we’ve explored how we can create better tonal contrast and color contrast, we’re going to focus on three principles for creating better spatial contrast using Power Windows inside Davinci Resolve.

Let's dive in...

Visit looklabs.net to learn more about SpeedLooks and the professional color finish you can achieve. DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world… one image at a time, all with the click of a button.




Creating Better Contrast - Part #2

Jun 2, 2021

To truly understand what it takes to create a look like the pros, you need to understand contrast. Almost everything we do in color grading boils down to some kind of contrast manipulation. This second tutorial by Cullen Kelly, he discusses color contrast in detail.


DFS, SpeedLooks and our intermediate VS-LOG process combined with our exclusive camera patch technology offers a total workflow solution for your color correction needs. Color by LookLabs … revolutionizing the digital production world, one image at a time, all with the click of a button. Visit looklabs.net to learn more.



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